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DAUGHTERS OF \ 


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FREEDOM i 


; A PATRIOTIC CEREMONIAL I 


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I FANNIE R. BUCHA.NAN I 


\ Supervisor of Recreation for Girls* Division J 
[ New York War Camp Community Service. J 




I Copyright, 1919, by Samuel French • 




[ No royalty required for the production of this J 
1 Pageant by amateurs. All other rights reserved. J 




: PRICE: 35 CENTS. • 




1 New York 


London { 




1 SAMUEL FRENCH 


SAMUEL FRENCH, Ltd. • 




I PUBLISHER 

; 28-30 WEST 38th Street 


26 Southampton Street • 
STRAND • 



DAUGHTERS OF 
FREEDOM 

A PATRIOTIC CEEEMONIAL 



BY 



FANNIE R. BUCHANAN 

Supervisor of Recreation for Girls' Division 
New York War Camp Community Service. 



Copyright, 1919. by Samuel French 



No royalty required for the production of this 
Pageant by amateurs. All other rights reserved. 



New YoBic 

SAMUEL FRKNCU 

publishek 

28-30 West 38th SIREKT 



IjONDON 

SAMUEL FRENCH, Ltd 
26 Southampton Street 
STRAND 



J'xd-'^ 






i^^lD 51249 

FEB 26 1919 TMP92-008716 



-vx 



DAUGHTERS OF FREEDOM 



This patriotic celebration was especially designed 
for presentation by business and industrial girls who 
have not time for the rehearsals and practice nes- 
sary in the production of dramatics requiring the 
spoken word. 

For use in the various War Camp Community 
vService districts of greater New York, the follow- 
ing theme and program have proven adequate and 
have enabled the audience to interpret the scenes 
without explanation or comment. 

The accompaniment of national music with each 
scene is farther clue to its interpretation. {See in- 
structions). 

THEME 

The Daughters of the Nations assemble to cele- 
brate the advent of World Freedom. 

To the music of its National Anthem, each group 
passing in review expresses the spirit of its people. 

The final tableau depicts a union of the Daughters 
of Freedom in which national characteristics are not 
lost, but blend as mosaics in one great design. 



4 DAUGHTERS OF FREEDOM 

PROGRAM 

Prologue — English Country Dance. 

French Vintage Dance. 

Belgian Traditional Dance Song. 

Belgium Whose soul would not be crushed 

France. Whose Maid, still living, leads 

Great Britain Whose freedom circles Palm 

and Pine 

Japan Whose rising sun means progress 

Italy Who guards both Liberty and Art 

Portugal . . Whose valor far exceeds her boundaries 
Balkans. . . .Whose children waited for this hour 
Poland. . . . Whose great White Eagle leads to unity 

Zion Who holds the light that has not failed 

Czecho Slovakia . . Whose early Queen foretold 

this day 
America. . Whose loyal daughters still " Stand By " 
The New World Symphony 

REQUIREMENTS 

First of all a pianist able to pass easily and freely 
without break from the music of one tableau into 
the next. The addition of violin and other instru- 
ments is most desirable. There should be a chorus 
to sing the Japanese, Italian and Polish Hymns and 
a^so the refrain of the Portuguese. These singers 
need not be professionals. Very good results are 
obtained by singing the national songs in unison, 
especially where the harmonies are well brought out 
by the instruments. 

Next in importance is a draw curtain. The effect 
of the tableau is very much better if curtains are 
opened from the center, slowly, and closed from the 
sides, always slowly. There should be a back cur- 
tain of soft material hanging in folds. A dull ©Id 
gold or very soft light brown is suggested. 



DAUGHTERS OF FREEDOM 5 

The matter of lighting is also of greatest import- 
ance. It is of course desirable that there be over- 
head, side and foot lights for the stage, however if 
overhead and side lights are not convenient, good 
results can be obtained from footlights only pro- 
vided there is a dimmer attachment. Where this 
is not the case an electric dimmer can be rented and 
any amature eletrician can attach it and after a lit- 
tle practice can operate it. 

Where the expense for costumes must be kept 
down it will be found necessary to use dye and 
silver paint. The costumes are simple and for the 
most part can be made from old material. Old 
sheets dyed and draped over old muslin slips ; also 
old window curtains will dye in very soft shades. Old 
canton flannel slips dye in mottles and are most 
effective. Much depends upon the grouping of col- 
ors, for help on this point see section " instructions." 

The difficulty of foot-wear was met by elimin- 
ating all shoes, suiting color of stockings to costume 
and in some cases using a lacing ©f ribbon or shoe 
strings over stocking feet. 

Under " instructions " will be found descriptions 
of dances, costumes and certain properties as well 
as a list of music and where it may be obtained. 

PROLOGUE 

English Dance. Any English Country Dance of 
rollicking nature may be used. (See ''Instruc- 
tions'') Where the stage is deep enough for a 
circle dance " Gathering Peascods " is recommended. 
Where the stage is narrow use a dance done in long 
formation ; " Old Mole " is suggested. (See '' in- 
structions") 

The girls wear skirts about twelve inches from 
the floor. Of each couple one partner is in pink, 
and one is in apple green. Little bonnets of same 



6 DAUGHTERS OF FREEDOM 

material with ties floating, white waists and whit^ 
stockings. 

French Dance. Tourdion. {Chalif, see ''in- 
structions") The girls wear, over a high waistline 
foundation, streamers of purple, lavender, and pale 
green crepe pap,er. The hair hanging in curls 
bound with a band of green and a purple flower. 
Slip should have short sleeves and be rather low 
neck. White stockings laced with green and purple. 

Belgium Dance. Dance Marienika. (See ''in- 
structions") This is a Flemish folk song to the 
chorus of which a simple circle dance with step-hopp 
was arranged. 

The costume is a short skirt of red with a black 
sash knotted at the side, a white waist, a jaunty lit- 
tle cap of black crepe paper with a touch of orange. 
Stockings of black. 

The English group enter from the left. {For 
manner of entering see " instructio7is") Upon 
finishing their dance they group themselves easily 
to left of stage, watching the French dancers who 
at once enter from right. {See "instructions") 
Upon finishing, the French group themselves to 
right of stage and all watch Belgian group who enter 
from rear, singing. 

As Belgium dance ends, the Brabaconne sounds 
and Belgian group turn to rear of stage, opening cur- 
tains to admit Belgium, a tall slender girl in long 
white slip with girdle of gold cord having heavy 
tassels, and carrying a large Belgium flag. She ad- 
vances to center of stage, the Belgian dancers form 
line on either side while in time to the music 
the English and French dancers one by one ad- 
vance, meeting at center front of stage, touch right 
hands high in air as they greet Belgium, passing in 
front of her they form a line on either side of the 
Belgium dancers. If this is done correctly all the 
dancers are moving to the music of the Brabaconne 



DAUGHTERS OF FREEDOM 7 

at the same time and the color effect is very good, 
with the fiigure of Belgium, in white, displaying 
the flag on a high staff as a stationery center. 

As all are in place, from piano comes imitation 
drum roll, very faint but increasing. (// possible a 
drum for this) As the light grows dim the English 
and French group leave the stage and the Belgium 
dancers draw close to the figure of Belgium. When 
the stage is dark, draw the curtain and the drum roll 
passes into some heavy chord-music with tragic- 
theme, such as '' March Slonelle." (See instruc- 
tions) 

After two minutes this music must sweep into 
Brabaconne which must be played in heavy harmon- 
ies and most triumphant manner as the curtains are 
drawn and in bright light Belgium is seen in a tat- 
tered white robe which is stained with red. Above 
her head in both hands held high is a stained, tat- 
tered and staffless Belgum flag. The Belgium danc- 
ers kneel at her feet with caps removed from heads 
and with faces and hands uplifted toward Belgium. 
The program caption under Belgium gives the girls 
the idea and the whole must be a living picture of a 
soul triumphant. 

Curtain. 

France. Before curtains are drawn the piano 
begins the Marseillaise, very softly. As curtains 
are drawn, in dim light, Joan is seen in profile at 
center-rear of stage. She kneels as in prayer, with 
hands clasped over hilt of sword. As music and 
light increase she rises slowly, advances to center 
front of stage and at the " March on " is posing 
with sword held high and face lifted. (For costume 
and for first pose see page 31 and for second pose 
page 21 of Joan of Arc by Boute De Monvel. See 
instructions) 

Curtain. 



8 DAUGHTERS OF FREEDOM 

Great Britain. As curtains are drawn England 
stands on an elevated platform center stage. She 
wears flowing robe of white with heavy draperies 
of scarlet, over the right arm the Union Jack should 
be interwoven among the draperies. She wears on 
her head a silver helmet. (Made from a ten-cent hat 
frame and silver paint) She holds a trumpet and as 
the curtains part she plays a bugle call. (// a 
woman trumpeter is not available the call may be 
sounded from rear of stage or may even be imi- 
tated by piano) As the call is finished, from the 
right Canada enters, she wears loose robe of pale 
green, and bears arms full of wheat. As she ad- 
vances toward England the piano begins Rule 
Britania. Canada stops at right of platform near 
England, extending the wheat. As she does this. 
India enters from the left. She is dressd in white 
and draped in a purple sari which should be 
heavily stenciled in gold. She carries in extended 
hands a tray of jewels. (The women of India sold 
their jewels in the common cause of freedom) She 
advances to position left of England, opposite to 
Canada. When she is in place Scotland in kiltie and 
cap, enters from right. She carries the flaming 
torch. (Of old this was a summons to war that 
every Scot obeyed) She takes her place next to 
Canada. Ireland now enters. She wears short 
skirt of green, a white waist with black girdle and 
white stockings. She carries white linen. 

Australia and New Zealand both in smocks reach- 
ing to knees, one of mahogany and one of orange, 
{See instructions) enter from right and left simul- 
taneously. They represent shepherds and each carry 
a fleece. As all are in place Rule Britania is modu- 
lated into the Kipling-De Koven Recessional. Eng- 
land lowers the trumpet, steps from elevation to 
level with colonies and all draw close together. 
From above and rear a large Union Jack is lowered ; 



DAUGHTERS OF FREEDOM 9 

all kneel, profile to audience but looking toward flag 
while curtains are drawn slowly. The refrain 
*' Lord God of Hosts Be With Us Yet " sung very 
softly after the curtains c'ose is a very effective end- 
ing and helps with the interpretation of the last part 
of the scene which is meant to express the feeling 
of Great Britain as a nation, not of England and her 
various colonies. 

Curtain. 

Japan. Before the curtains are drawn the chorus 
begin to sing softly the Japanese National Hymn. 
This hymn is so short but so very unique that it 
should be repeated. When the chorus have sung 
half way through the first time, the curtains slowly 
open disclosing in dim light, Japan in rich kimono, 
(See instructions) standing on elevation center rear 
of stage. Her arms are extended with palms of 
hands raised, Japanese style, over two small kneel- 
ing figures in white, at her feet. As song and light 
increase these figures rise taking the out-raised 
hands of Japan, slowly leading her down from ele- 
vation, out to front of platform. As they turn 
to do this it is seen they wear the Japanese Red Cross 
costume. All three pose at front of stage till hymn 
is finished and curtains close. 
Curtain. 

Italy. Italy is a tableau of symbolic figures 
in the form of a frieze. These figures should 
be placed close as in a panel painting such as Sar- 
gent's well known frieze of the prophets. The tall- 
est figure should be in the center and shortest at 
each end. that is. the height of figures should dim- 
inish from center to both ends of panel. The color., 
must give the impression of a rich painting. (Sec 
instructions) . 

xA.s chorus sings the Garibaldi Hymn, the cur- 



10 DAUGHTERS OF FREEDOM 

tains are drawn disclosing the tableau. 

The central figure, Italy, is in ivory white, her 
draperies are of the same material and color as her 
robe. {Sec instructions) On left arm she bears 
a silver shield and in right hand a large Italian flag 
on a staff which rests on the floor. She wears a silver 
helmet on her head. At the right of Italy is Rome, 
a madonna in a gown of old rose draped in dull, 
dark blue with silver stencil — this drape covers her 
head. Her left hand is placed above her heart and 
in right hand she holds a vestal virgin lamp. 

On the left of Italy is a figure representing 
Beatriche d'Este, patroness of art and learning. 
She personifies Florence. Her gown is of black, 
and is tight-fitting, like a princess slip, is cut low 
and square in neck and has stencil of gold. Over 
her shoulders is draped a cape of heavy black lined 
with crimson ; on her head she wears a plain tight 
fitted little bonnet or head-dress of jewels. (See 
instructions) She holds in her hands a large open 
book. 

At the right of Rome stands Genoa, the city of 
Golumbus. She is in a costume of sea green and 
hoMs in her hands a large globe. 

On the left of Florence stands Venice, also in sea 
green, of a lighter shade than that worn by Genoa — 
there should be splashes of silver paint over this 
costume; she holds a silver trident. At eiiiier end 
of this frieze are small figures in shades of purple, 
orange and green ; these represent vineyards and 
orchards. The vineyards should wear a short slip 
of shaded purple Vv'ith girdle of green — the orchards 
a short slip of shades of apricot and yellow with 
green girdle. Each bear large trays of fruit. (See 
instructions) 

Curtain. 

Portugal. This country of fearless navigators is 



DAUGHTERS OF FREEDOM • ii 

represented by a girl who is able to sing a solo. 

]n a costume of deep green and silver, with drap- 
eries of marine blue, and holding a large Portuguese 
flag she sings the verse of the stirring Portuguese 
hymn, the chorus reinforcing her with the ** To 
Arms Then," etc. She should be in place — center- 
front of stage — when the curtains are drawn, and 
remain in p^ace until the curtains are closed. 
Ciirtain. 

Balkans. As the curtains open the entire hall 
should be in darkness and the Serbian hymn should 
be heard. The stage light is slowly turned on and 
a black figure, Oppression, is seen on elevation in 
center rear of stage. About her feet are crouching 
figures covered with du'A brown, gray, bAie and 
purple draperies. 

The light must increase very slowly. One by 
one these figures rise, very slowly, and as the music 
increases they advance to the front of stage, the 
dark drapery must fall away slowly leaving exposed 
the bright native costume, but, each figure appears 
with wrists chained ; one has hands behind her ; 
another, wrists chained, holds hands high over head ; 
still another has her hands extended in front at 
arm's length ; another has hands hanging in front. 

The light brightens as the last figure reaches frort 
of stage. The music increases, the Roumanian, Al- 
banian and Montenegren hymns may also be played, 
and the wrists are wrenched free, the chains fall- 
ing to the floor. As the chains fall. Oppression is 
seen to slowly disappear through curtain at rear 
of stage, and the Balkan states form a star in the 
center of the stage, with right hands joined, and 
each in the left hand holds her state flag, which un- 
til th's moment, has been concealed under apron or in 
bolero. (Sec instruction) 

Curtain. 



12 DAUGHTERS OF FREEDOM 

Poland. As the chorus sings the Polish hymn 
the curtains are drawn disclosing a girl in costume 
of Polish grey Samaritan Nurse. (See instructions) 
She holds a large flag staff in a horizontal position, 
and as the chorus sings she slowly unfurls the crim- 
son flag of Poland. 

The first and third verses of the hymn should 
be sung and at the words " The White Eagle's Glor- 
ious Flight," she steps forward and lifts the banner 
high over head, taking care to display the White 
Eagle. This must be done impressively. The un- 
furling of a heavy flag from a horizonal staff re- 
quires practice. 

Curtain. 

ZroN. As traditional Hebrew music is played, 
(See instructions) the curtains open, disclosing a 
figure in white, bearing the seven branched candle 
stick. Th girl taking this part should be tall and 
have dark hair. The robe should be loose and if 
some heavy white material such as pure white can- 
ton flannel, a very sheer soft veil of delft blue 
caught by a band of silver about the flowing hair 
should shimmer over the robe. As she stands with 
candle-stick held high the stage is slowly darkened. 
(The entire house should be in darkness for the 
scene) W^hen the stage is entirely dark the figure 
of Zion by the dim light of the burning candles is 
seen to wander slowly about the stage, then sink 
down center-rear facing away from the audience 
so that the candles are no longer visible, only the 
light from them is seen. Then the stage light is 
slowly turned on and as it brightens, from the 
right, appears a figure representing the help of 
Great Britain, and from the left a figure represent- 
ing the help of America. These figures are robed 
in pure white material, the same as that worn by 
Zion. Each bears in out-stretched arms, seemingly 



DAUGHTERS OF FREEDOM 13 

draped from shoulders a sheer veil, colored in the 
design of the flag of her nation. {See instructions^ 
These figures advance to Zion and as they bend 
above her she rises and turns. The candlestick 
is held extended waist high. The figure of Great 
Britain and America each extend a hand to sup- 
port the hands of Zion, and as the three figures ad- 
vance to center front, the candlestick is slowly lifted 
high, by all three — Zion alone holding the stick, but 
America and Great Britain uplifting the hands of 
Zion. In this closing pose, the flag veils of the sup- 
porting figures seem to fall from the extended can- 
dlestick, and shadow the figures. {See instructions) 
Curtain. 

CzECHO Slovakia. For this scene use Bohemian 
Folk music. {See instructions) In a dim light 
Libuse, the early queen of Bohemia, {zvho zvas a 
prophetess and foretold the national freedom of 
her race) is seen seated on an elevation at rear left 
of stage. A very good effect is produced by having 
her seated in a shaft of dim light, and one by one 
dancers enter, advancing in the line of light, singing 
as they come. When stage is filled, in a quick flash 
the stage is lighted and a spirited dance is given. 
{For costumes see instructions) 
Curtain. 

America. Amerca is represented by two tableaus 
A and B. A — No music is heard as the curtains 
are drawn. In bright light, center stage on eleva- 
tion, stands a tall slender girl. Costume of a red 
cross nurse. On her right stands a sailor and on 
her left a marine. They look up to her smiling; one 
of her hands rest lightly on a shoulder of each. As 
the curtains open the pianist plays Columbia the Gem 
of the Ocean, and the audience joins the chorus as 
the curtains are closed on the tableau. 



H DAUGHTERS OF FREEDOM 

Following this song and before tableau B, should 
be a moment of quiet, during which, very faintly 
are heard strains of " America," just an intimation 
of the melody, in soft harmonies. Then as the cur- 
tains open, silence. For tableau B, in bright light 
pose the Albert Herter poster. (See instructions) 
As the curtains are closed the Star Spangled Ban- 
ner is sung by the entire audience. 

NEW WORLD SYMPHONY 

This is a tableau made by grouping figures used 
in all scenes and while it is being placed the musi- 
cians play the Largo of Dvoraks' " New World Sym- 
phony," this is continued during the tableau and as 
curtains close should modulate into some triumphant 
march such as March from Athalia. 

As a back ground for this tableau the flags of all 
the allies should be grouped about the stars and 
stripes. 

Belgium in her tattered robe may be the central 
figure; Tableau figure of America A on left and 
America B on right. If size of stage will permit 
the dancers should be seated in groups in front of 
standing figures. 

The various properties have all been laid aside and 
each person holds hand of neighbor. 
Curtain. 






DAUGHTERS OF FREEDOM 15 

INSTRUCTIONS 

COSTUMES 

" Costumes and Scenery for Amateurs " by Con- 
stance Darcy Mackay. Henry Holt Co., New York, 
19 West 44th Street, price $1.75. This contains il- 
lustrations and descriptions for various costumes," 
patterns for which may be had from the Buttrick 
Pattern Company. 

JOAN OF ARC 

See the book " Joan of Arc " by Boute De Monvel, 
(the edition in French), available in every library. 
On page 31 Joan is seen kneeling at coronation of 
King; use this pose, substituting a sword for the 
banner. For last pose see page 21 same book. 
Joan's hair should be arranged to look as if 
" bobbed." This can be done by rolling it at sides 
over the ears. 

GREAT BRITAIN 

Australia and New Zealand should be smaller 
than the other girls who form the Great Britain 
group. Their smocks should be roughly knotched 
at knees, elbows and throat, of some course ma- 
terial, burlap or rough crash. They should wear 
hair loose and each wear brown stockings. Scot- 
land and Ireland should wear hair in soft coil at 
neck. Canada coiled high on head. 

JAPAN 

Should be of dark complexion with hair dressed 
in Japanese style, (see Japanese picture), paper 
chrysanthemums of color to agree with kimono, 
should be worn at each ear. 



i6 DAUGHTERS OF FREEDOM 

ITALY 

Italy, the central figure of the Italian tableau, 
should wear a draped robe of ivory white. For 
this, canton flannel or old muslin may be used. To 
obtain the old ivory tint, dip the material in hot 
water to which a very little brown dye has been 
added. Then wring the material. This will cause 
the shaded appearance desired. A stencil border of 
dull brown is advised. 

The jeweled head dress of the figure represent- 
ing Florence may be made of a gold cord formed 
into a large meshed net, and ornamented with colored 
glass beads or buttons. 

The trays of fruit should be large and heaped 
high, as this would make them heavy it is best to 
heap up orange and brown and dull red paper with 
a few oranges, apples, lemons and green leaves. 

BALKAN STATES 

For costumes of the Balkan states use skirts of 
bright colors, or if black or white are used, they 
must be banded with bright colors. All four figures 
must wear different colors. Two figures may wear 
lap aprons and bodices laced in front. Two may 
wear small bright bolero jackets, a bright band of 
ribbon may be worn about the hair or a head dress 
of bright figured silk. 

POLAND 

The Polish grey samaritian nurse costume is a 
long cape of blue-grey and a small cap of same ma- 
terial. The cape entirely covers the dress. 

ZION 

The flag veils used in the Zion tableau may be 
made from white tarletan— each should be a full 



[ 



DAUGHTERS OF FREEDOM 17 

width of tarletan, and in length, one and three quar- 
ter yards. On this tarletan draw the design of the 
flag and with a brush dipped in red ink, diluted with 
water, paint red parts. Blue ink diluted with 
water will give the right blue. When painting is 
dry the flags should be pulled and stretched corner- 
wise to soften the material which is otherwise too 
stiff with dressing. The painting must not be heavy, 
the effect desired is a mere " vision " or " sugges- 
tion " of the flags. As the figures enter, the ex- 
tended arms are piled with this sheer color and as 
position of final pose of the scene is taken, the hand 
supporting the candlestick lifts the side of the flag 
veil high, (the flag should he attached to a finger of 
each hand by means of a loop of tape), while the 
other hand is extended diagonally backward this 
position of arms should display flag veils and form 
a screen through which the figure is seen. The 
three figures of this scene should wear the hair fall- 
ing over the shoulders in waves. 

CZECHO SLOVAKIA 

In the Czecho Slovakia scene the queen should 
wear a foundation slip of purple and gold, with over 
dress of white tarleton, (which has been softened), 
this should be draped over arms and entirely cover 
the underslip. 

An excellent illustration of Slovak holiday cos- 
tume is the colored plate in front of ** Folk dances 
of Bohemia," (see dances). 

AMERICA 

American tableau B is a pose representing the 
Albert Herter poster. This was reproduced in the 
colors in the February number of the Woman's 
Home Companion, and should be carried out ex- 
actly, as to detail and color. 



i8 DAUGHTERS OF FREEDOM 

PROPERTIES 

For illustration of trident, vestal-virgin lamp, 
helmets, shields, etc., see dictionary or encyclopedia. 
The sword, gun, overseas helmet and fleese may be 
rented from any good costumer. The wheat may 
be obtained from a funeral director or florist. 

DANCES 

" Gathering Peascods," '* Old Mole," full instruc- 
tions and music, Cecil J. Sharp, *' English Country 
Dances," published by H. Gray Company, 2 West 
45th Street, New York, price ten cents each. 

The English dancers enter from left in single line 
holding hands, running step, form for dance before 
music begins. 

Tourdin — Chahf — Chalif Dance studio, 163 W. 
57th Street, New York. {Full instructions and 
tiiiisic). Price 80 Cents. 

The French dancers enter right. A chord is 
sounded then the dance is played as dancers enter 
to first steps of dance. 

Dance Marienika. From " Some Nursery 
Rhymes " of Belgium, France and Russia, published 
by B.ack & Company, Soho Square, London. {To 
he had at most libraries). 

C.Techo Slovakia Dance. See " Folk Dances of 
Bohemia and Moravia," by Anna Spacek, published 
by Saul Brothers, 626 Federal St., Chicago, 111. 
Price $1.00. 

T his is an excel'ent collection of Slovak songs 
and dances, any of which are simple enough to be 
given by amateurs. 

MUSIC 

The books of music listed below can be had from 
Lyon & Healy, W^abash Avenue, Chicago ; G. Schir- 



DAUGHTERS OF FREEDOM 19 

mer, E. 43rd St.. New York City, or any music 
dealer. 

" The Most Popular Songs of Patriotism," pub- 
lished by Hinds, Hayden & Eldredge, contain the 
following : Rule Britania ; Hymns of Po'and, Ja- 
pan, Roumania, Serbia, Belgium (Brabanconne) , 
Portugal, France (Marseillaise), Italy (Garibaldi). 
Price 75 Cents. A better translation of the Portu- 
guese song is to be found in the Schirmer edition 
of National Hymns. Price 25 Cents. 

The Recessional, Kipling, De Koven, John Church 
Company. Price 10 Cents. 

The New World Symphony Largo, Dvorak. This 
is not published for piano alone but from Simrock's 
organ arrangement, a pianist will be able to play 
it, especially if a violinist can assist. The organ solo 
is 75 Cents. 

" March Solonelle." The arrangement of the 
1812 Overture Solennelle by Tschaikowski, repre- 
senting strife, discord, war, can be had in the 
Choruses and Incidental Music from To Arms for 
Liberty, published by C. C. Birschard Co., Boston, 
Mass. Price 25 Cents. It is the piano 'score only. 

For traditional Hebrew music the " Hatikvok " 
is suggested. This may be had from S. Schenker, 
66 Canal Street, New York City, arranged by A. 
Zagler. Price 15 Cents. 

The March from Athalia by Mendelssohm can 
be obtained from any music dealer. Price 35 Cents. 



